This talk coincides with our exhibition of work by Eric Ennion, a remarkable all-round naturalist who was one of the 20th century’s most talented and original wildlife artists. Field Sketch: an inspiring wildlife encounter, seized and committed to paper. This talk explores the history, importance and role of field sketching, as artists seek to interpret and communicate their experiences of wildlife. An inspiring evening of art and places for all. Tickets include a finger buffet.
Please book in advance.
This 2-day course is a wonderful introduction to the world of coloured pencil techniques.
Learn the art of layering different coloured pencil strokes to create the ‘realistic details’ of a Fox, using Derwent Coloursoft Pencils on a dark coloured Mount Board.
A line drawing will be provided to trace if you do not wish to draw the image free hand.
All materials will be supplied free of charge to use during the course by Karen Coulson.
Artist’s Profile Karen is a self taught award winning coloured pencil artist and tutor, painting mostly wildlife subjects. She is a Gold Signature member of the UKCPS (United Kingdom Coloured pencil Society).
She exhibits nationally and has won many awards for her detailed pencil work. She runs regular workshops in the Pencil Museum, Keswick as well as many classes in Hampshire, where she currently lives.
(Images left to right: Natty Decco, Nicole Iredale Designs, Karen Edwards, Pear Tree Arts, Nutmeg & Sage)
Free for under 16’s (including access to upstairs museum galleries)
Car parking is free
One of our most popular events, the annual craft fair at Nature in Art has become well known as a source for unique, individually hand crafted gifts, offered to you directly by the crafts people who made them.
Many of the makers will be demonstrating so you will be able to see just how your unique gift was created.
The range of quality gifts you will find at the craft fair includes woodturning, jewellery, ceramics, textile items, as well as stained glassware, metal work, paper crafts and much more. With such a wide selection you are bound to find the perfect gift for your friends and family, or even treat yourself!
During the weekend as well as watching demonstrations from the craft workers, and purchasing gifts, you can also view most of the museum galleries.
You may also be a winner on the raffle or tombola, so make sure you purchase a ticket. There will be a separate raffle on the Saturday and Sunday.
Explore the mysteries behind the Collagraph Print on this 1-day course.
Learn how to make your own unique prints from plates created from mount card, which is incised with lines, collaged with paper and other textured mediums to create an exciting textured printing surface.
You will be shown how to prepare paper and how to ink up and wipe your plates ready for printing. The first part of the course will be spent making the plate and then the second will be spent printing in different ways to create your own unique print.
Materials List A sketch/photograph you want to work from.
Wear clothes you don’t mind getting dirty!
Drawing materials i.e. pencils, rubber, paintbrushes.
All other materials will be provided by Tor Hildyard, at the cost of £10 per participant, payable directly to her on the day.
Artist’s Profile Tor is a prize winning printmaker, who shows her work both nationally and internationally.
Tor is interested in experimenting with new techniques, images and printing methods which allows her to challenge the boundaries of printmaking and enables her to produce the right marks and textures that relate to each subject matter.
Tor worked as a Printmaking tutor and technician at UCA, Maidstone, Kent, after finishing her degree. She later returned to achieve an Masters in Printmaking in 2010.
She now runs her own private printmaking courses from her studio in Worcestershire.
Watch a film about a unique initiative – The Rock Music Rock Art project which was inspired by the ancient ‘rock gongs’ of remote Lolui Island in Lake Victoria, Uganda. Sponsored by the Ruwenzori Sculpture Foundation and supported by the British Council, sculptor Peter Randall-Page, composer Nigel Osborne and members of the London Sinfonietta visited Lolui Island where they collaborated with local sculptors and musicians. Whilst on the island, Peter Randall-Page explored and absorbed his surroundings and the island’s ancient culture and created a sculpture in situ and a new body of work on his return. As a member of the design team for the Education Resource Centre (The Core) at the Eden Project in Cornwall, Peter influenced the overall design of the building incorporating an enormous granite sculpture (‘Seed‘) at its heart.
Just a week after its launch, see all the winning images from this famous competition focusing on British fauna and flora. Stunning photographs and awe-inspiring nature.
Image: Detail from ‘Hitchhikers’ (lions mane jellyfish) by George Stoyle (overall winner 2016 BWPA).
Gordano Textile Artists return once more with a fresh and vibrant exhibition of textile art based on the natural world with many pieces taking a theme from the objects selected for the popular CROWD exhibition last year. The display will feature a variety of techniques using fabric, thread and paper.
Glass fusing is joining two or more layers of glass through heating in a kiln.
There are several techniques that can be adapted to this basic principle some of which give surprising results. This 1-day course will teach some of those techniques alongside glass cutting (if you are new or in need of a refresher) and consist of glass layering, use of glass frits, powders and encapsulation between layers of glass.
The course will guide you in designing and
making either 4 glass coasters or a larger, flat piece of art glass. These will then be fired in a kiln and ready for collection after the course.
Materials List All materials will be supplied by Sharon
Foley, at the cost of £25 per participant, payable directly to her on the day.
Artist’s Profile Sharon Foley began working with glass in 1999. She started making stained glass panels and quickly used lots of different processes to obtain various effects. Once she had acquired her own kiln she began experimenting with more 3-dimensional forms.
Sharon completed a Masters degree glass course at Wolverhampton University which gave her the freedom to use this transparent material in other ways. She now expresses her ideas by combining kiln formed glass with