Rarely seen, yet glittering to behold, this is a display of gold, silver and metal thread embroidery to dazzle and delight, embracing nature in all its forms. All the pieces are made by members of the Goldwork Guild, at least one of whom will be demonstrating this ancient craft daily within the exhibition. The Goldwork Guild was formed in 2004 by Janice Williams to keep the art alive in the 21st century.
Modern goldwork will be displayed together with a few antique pieces reflecting the fact that this work dates back over 2000 years when only royals, nobility and those of great wealth could afford such magnificence in garments, robes, domestic furnishings and religious embellishments. Whilst the history of metal thread embroidery goes back so far in history that its origins are lost, it’s widely believed that goldwork embroidery originated in China. From there the art form spread to Asia, Persia, India, Japan, the Middle East, and the ancient civilisations of Assyria and Babylonia. Over time and up to the present day it further spread to North Africa, Spain, Italy, Western Europe, Great Britain, Scandinavia, North America, Australia, Canada and New Zealand. Goldwork is also mentioned in the Bible within the book of Exodus, where it states ‘He made the ephod of gold, blue, purple, scarlet and fine twined linen. They did beat the gold into thin plates, and cut it into wires, to work it in the blue, and in the purple and scarlet, and in the fine linen with cunning work.’ The very earliest examples employed pure gold and silver. The metals were flattened and wound around strands of animal and human hair. However, the gold and silver were both very brittle. Later the metals were wound around silk, paper, animal gut and parchment, and originally this process was done by hand which required great patience and skill, and the cost of such threads was extremely high.
Present day goldwork and metal thread embroidery is more affordable now as there are now substitutes, even though real gold and silver is of course still used (and comes from Japan.)
Throughout history, goldwork has been worked into fabric decoration and can be used not only in other embroidery, but applique with variegated shimmering patterns made luxurious using gold, silver, metallic threads and precious stones.
Ceremonial, military and religious attire is still adorned with the richness of gold embroidery. However, the design for military pieces is necessarily constrained by tradition as one would expect, but the goldwork that embellishes domestic, religious and ceremonial attire is still being worked today by many embroiderers. Other techniques and materials can be worked to create contemporary pieces reflecting the 21st century.
This particular art form is prized for the way the light plays upon it, which is influenced not just by the richness of the metal thread used, but also by the variety of metal threads available and the techniques used.
Drawing is a fantastic way of exploring the world around us.
This one day workshop is designed to be fun it will invigorate, excite and challenge. The morning session will be a series of short exercises exploring drawing. Participants will develop ways of seeing, interpreting and making. The afternoon session will be made up of longer exercises where participants will be able to develop their drawing skills further with the aid of one to one tuition.
This workshop is open to all who want to draw!
Art Inspired by the landscape, flora and fauna in and around a working quarry by Esther Tyson
Esther Tyson SWLA is at the forefront of contemporary wildlife art and a council member of the Society of Wildlife Artists She studied at the University of Wales before being accepted into the Royal College of Art, London where she won a travel scholarship to study large carnivores in Slovakia. That trip ignited a passion for travel, drawing, painting and observing creatures in their natural environment.
After graduating from the Royal College of Art in 2003, living and working in the wilds of South Wales, Esther secured a 3 month placement on Aride Island in the Seychelles, working alongside biologists in the field, observing the behaviour of many bird species including the Seychelles Magpie Robin, a thrush size bird threatened with extinction and in 2005 cited on the red data list. This was an important time of learning and understanding.
Surrounded by the Indian Ocean and contemplating a fear of deep water, Esther decided to apply for a scuba diving bursary through the SWLA and Dorset Wildlife Trust. Incredibly, Esther won the award and a few weeks later became an open water scuba diver. A different world entirely, drawing underwater, the COLD waters off the Dorset coast and later, the warmer waters off Song Saa Private Island, Cambodia.
Esther has been involved in projects within the UK and Worldwide, working alongside organisations such as Birdlife International (Nepal, Vultures), BTO (Senegal/Norfolk, Migration), DKM (Turkey), Esther Benjamin Trust (Nepal), Free the Bears (Phnom Penh), FFI (Cambodia), Salford Council (Salford), Royal Parks (London), SWLA, and the Natural History Museum (the Big Draw).
Esther currently lives and works in the South Peak District where she combines a studio and observational outdoor practice. ‘As the Crow Flies’ is a selection of work, created especially for this exhibition, that focuses on an area close to her home – a working quarry. Finding inspiration, life and beauty in a what many might consider an unlikely location, Esther gives us an insight into this project …
‘My high place, a place of solitude, of thought, of peace and of beauty? Really? Are quarries not a blight on the landscape…
Life brims in the boundary lines and spills over into farmland and limestone cliffs alike. So far, Jackdaws finding cracks and holes, Ravens a step in an old crevice and the falcons on a ledge high above the busy workings of this quarry. Wild flowers take over the slopes, wagtails and redstarts return and I’m still hoping to see wheatear…
My interest in the Raven has continued since tracking wolves in Slovakia back in 2003 and having found the quarries’ resident pair, I have spent time observing their behaviour in and around the nest site. It feels decadent drawing these birds and a huge privilege painting the adults as they prepare to sit… Pied wagtails arrive and forage close to where I sit, wood pigeons feed in the trees that edge the quarry face, a blast and the pigeon in turn feeds a Peregrine…
I’ve watched this pair of falcons for 8 years and now I have the luxury of including them in my work. With the ravens sitting, time is freed to find the possible nest site of the Peregrine. I had an inkling early on and at quite a distance have watched the female prepare the nest site, the pair chase another male from their territory, a buzzard forced to ground and our resident falcons mate. The female begins her sit which in turn, is perfect timing to pick up on the ravens once again. 40 days back and fore feeding young, 5 youngsters fledged and the subsequent days exploring are charming!
Now I return to wild flowers and peregrine falcons …’
This exhibition features a broad range of works both large and small, nearly all produced in the field. Many will be for sale. Do come and meet Esther September 10th – 15th when she will be artist in residence.
On this 2-day course you will learn all about working with graphite pencil from experienced artist Jamie Boots.
Graphite pencil can be used to produce so much more than just a sketch.
Jamie will show participants that. whether or not you are using a pencil that is blunt or sharp, pressing lightly or hard, or using a variety of tones, the realistic texture of skin, fur and the glassy look of an eye can be achieved.
Example of work by Jamie Boots
With a natural history theme this is an introduction to various ink drawing tools and surfaces, with a focus on penning and brushing techniques. A look at creating high contrasts, shading, tones and line styles with small examples in sketchbooks and various papers. Get ready for Inktober 2019 on Instagram, a world wide motivational challenge to encourage you to get inky, to be inspired and improve your drawing skills and share your results.
Glass fusing is joining two or more layers of glass through heating in a kiln.
There are several techniques that can be adapted to this basic principle some of which give surprising results. This 1-day course will teach some of those techniques alongside glass cutting (if you are new or in need of a refresher) and consist of glass layering, use of glass frits, powders and encapsulation between layers of glass.
The course will guide you in designing and making either 4 glass coasters or a larger, flat piece of art glass. These will then be fired in a kiln and ready for collection after the course.
This course is a wonderful introduction to the world of coloured pencil techniques. Learn the art of layering and blending Derwent Coloursoft Pencils whilst using different pencil strokes to create the textures required for the subject. All materials will be supplied including a line drawing to trace for those not wishing to draw free hand.
Example of work by Karen Coulson
This is a two day course that will show you how to sketch buildings and architectural detail with waterproof black ink pen and watercolour wash. Using photos supplied by the tutor you will be shown how to use the pen with watercolour paint both before and after painting. Techniques taught will include colour mixing, brush technique, light and dark, drawing with a pen and how to loosen up to achieve expressive sketches. By the end of the course you will have produced a few sketches to take home with you. Suitable for beginners and students with some knowledge of the medium.
A special selection of ceramic sculptures by Linda Heaton-Harris.
See extremely detailed bird and other sculptures, life-size and miniature, presented with hand-built items demonstrating a more simplified approach. All capture the essence of the animal or bird. A variety of techniques and clays are used to produce a range of textures and variouis oxides, slips and stains used to retain fine detail. See Linda at work November 12th – 17th.
This is a course for all abilities who have an interest in learning to paint the colour, energy and vitality found in a Garden Border.
Working from photos that inspire, from views of your own garden or a garden you have visited you can work in a personal way with close up views of plants in detail or a looser more abstract, atmospheric view. You can paint in a way that appeals to you.
You can paint in Gouache,Acrylic or Oil paints on paper,board or canvas.