What’s On

Oct
21
Tue
Sketch for Survival 2025
Oct 21 – Nov 16 all-day

 

We are delighted to announce that Sketch for Survival, the international art initiative from conservation charity Explorers Against Extinction, will make its debut at Nature in Art this autumn. Now in its ninth year, this inspiring exhibition will be on display from 21 October – 16 November 2025, offering visitors a first chance to see the 2025 collection in full.

Every artwork in Sketch for Survival carries a message. Whether it portrays a threatened species, highlights an at-risk habitat, or reflects a wider conservation story, the art is designed to spark conversation and raise awareness about the urgent issues facing our natural world.

Since the initiative began, it has attracted artists from an incredible 119 different countries, united by a shared concern for wildlife and wild spaces. From thousands of entries received this year, just 100 artworks have been selected by our expert selection panel, chaired by renowned wildlife artist Gary Hodges. Each of these pieces has been donated by the artist, supporting both the campaign fund and the message behind it.

The exhibition at Nature in Art marks the start of the Sketch for Survival 2025 tour. Following its debut here, the collection will move to the Oxo Tower Wharf in London, where the works will be available to view and bid for via online auction. The auction opens for browsing on 17 October and concludes at the close of the Oxo exhibition on 23 November.

Funds raised will support frontline conservation projects around the globe. In 2025, these range from protecting pangolins in Malawi, to safeguarding tigers in India, and conserving red pandas in Nepal.

We hope you will join us at Nature in Art to experience this powerful exhibition, which demonstrates how creativity and compassion can combine to make a tangible difference for the planet.

 

Oct
25
Sat
Craft Fair 2025
Oct 25 @ 10:00 am – Oct 26 @ 5:00 pm

The Gift and Craft Fair has been held for over 20 years and is always well attended. In 2023, we welcomed over 1,200 visitors across the two days and raised essential funds for the Nature in Art Trust. Here at Nature in Art we are extremely passionate about supporting local artists and craftspeople, helping to highlight the array of crafts available and the creativity of the people in the local area. Our event strives to have a large selection of stallholders showcasing a variety of crafts, from woodwork and ceramics,  glassware and photography to jewellery, textles, resin art, flower art and much more.

Our next Gift and Craft Fair will take place on 25th & 26th October.

 

List of stallholders:

Cabinet of Curios
Little Gloucester Art Group
Funky Pheasant
Freshwater Mosaics
Mirror-mirror
David Tinsley Photography
Country Fabric Crafts
Dye by Di
Mollie’s Makings
Elaine Leslie Art
Emily Hacker Textiles
Nature’s Inspiration
Wilful Ink
Off My Tree
Gaby Spencer Art
Gill Barrett Art
Ginny Boom Art
JR Ceramics
Jeanette Hannaby Enamel Artist
Jess Rayson Designs
Ambling Press
Kate Moby
Natty Deco
Hobbz Designs
Heal & Sole
Six Hands Crafting
Sarah Davis Glass
Sarah Delahoy Printmaker
BESPOKE GIFTS (PATCHWORK)
chaaboo
Drawn to the Wild
Ilé.daràsimi
Vikki Lafford Garside
Meraki Glass
Mizuki Takahashi
Spoon Fever
Mindbender Puzzles
Gordan Hemming
Fern Cottage Studio
Scribbled Daisies Illustration
apCeramics Monmouth
Octeapus
Field Fresh Skincare
Ella Daniel-Lowe

 

 

Oct
30
Thu
Our Heritage of Song: Or the People’s Voice
Oct 30 @ 7:00 pm – 9:15 pm

Our Heritage of Song : Or the People’s Voice
An illustrated talk by Robin Burton

Before radio, TV and the Internet, we used to make our own entertainment. Usually this meant singing. This talk charts the history of our shared songs and how it is that we know about them today … the ultimate form of popular music. It also features examples of songs from around the country and from Gloucestershire in particular. Robin is a trustee of Gloucestershire Traditions that collects and rescues traditional songs and music (part of our ‘intangible heritage’) and makes them accessible to the public. Our project partner is Gloucestershire Archives.

 

Doors open 7pm to view galleries. Finger buffet at 7.30pm followed by talk.

Book here

Nov
8
Sat
Glass Engraving in Black & White and Colour with Amanda Lawrence – FULLY BOOKED
Nov 8 – Nov 9 all-day

Glass Engraving in Black & White and Colour with Amanda Lawrence

Book here

Suitable for Beginners to Improvers

10 places available

This course explores the wonderful and versatile craft of glass engraving with a drill. It’s an opportunity for beginners to learn the basic techniques and for those who have attended a previous introductory course to expand their skills. Over the two days we will discover several different techniques, including surface engraving, creating a 3D effect with intaglio (low relief) engraving, and a couple of different ways to include colour in your engraving. You will work on both flat glass and vessels and you will come away with at least one little masterpiece of your own making! No previous experience or artistic expertise necessary to join in, but some manual dexterity is needed for this technique.

There is a £20 charge for materials, to be paid to the tutor.

£118 for members / £150 for non-members

Nov
11
Tue
Watercolour with John Horton FULLY BOOKED
Nov 11 – Nov 12 all-day

Watercolour with John Horton

Book here

Course Suitability: Suitable for all

 

Maximum Participants: 12

 

Course Description:

I found, early on, running courses, that a good structure was the most beneficial format. We explore colour mixing using a limited palette and the use of different brush types to develop the painting. I will go through creating the picture stage by stage and although we are all working on the same composition , because of the wonderful nature of watercolour, no two pictures will be the same. Exciting things happen!
www.johnhorton.co.uk

 

Materials Required:

I supply a sheet of A3 200 lb Two Rivers handmade watercolour paper with a composition lightly marked out with 4H pencil. Cost £4 per person. PLEASE BRING: Palette: Ideally 2 large white plates to build up areas for colour washes. Brushes: Wash brushes up to 5cms width. and a variety of watercolour brushes. I favour Pro Arte riggers. 0 to 6.  Paint: I use artists quality Winsor and Newton paints:  permanent rose, permanent magenta, cadmium yellow, cadmium lemon and cobalt blue. If you don’t have these or don’t wish to buy them bring cobalt blue (sky colour) a red and a yellow. Miscellaneous: Hair dryer, kitchen roll and a few scraps of watercolour paper to test colour mixes. Supplies: www.jacksonsart.com

 

About the artist: 

I have always been fascinated as an artist by being able to take a flat piece of paper and create distance and light in that space. I have worked with watercolour as my favourite medium for over 40 years, the last 10 years running courses in my studio and with art societies and groups. I have a passion for the natural world in all its forms. Birds are my favourite subjects often in a landscape setting. A number of years I have been artist in residence at Nature in Art (Feb. 11th. To 16th. 2025) and organize and take part in The Wildlife Art Society International annual exhibition in a marquee on the lawn at Nature in Art over spring bank holiday. (May 24th. To June 1st. 2025.)

 

 

Places are on a first come first basis.

To secure your place on this course a £25 non-refundable deposit is required.

All courses are £59 per day for members, £75 for non-members

Nov
15
Sat
Sketching birds with Trevor Smith FULLY BOOKED
Nov 15 all-day

Sketching birds with Trevor Smith

Book here

 

Course Suitability: Suitable for all

 

Maximum Participants: 12

 

Course Description:

A one day workshop aimed at introducing and exploring the subject of sketching birds. Suitable for anyone with an urge to draw!
The day will include:
•    A look at simple avian anatomy, focussing on the movement of the skeleton and feathers and their effects upon form and structure.
•    Simple sketching techniques for capturing an image.
•    A brief discussion on suitable materials for use in the field.
•    A brief look at foreshortening effects.
•    Adding colour to a sketch.
•    Putting it all into practice using reference material.

 

 

Participants will need to provide the following materials:

1/ A good quality pad or book of cartridge paper, or loose sheets.
2/ A selection of B grade pencils, charcoal, or graphite drawing pencils.
3/ An eraser.
4/ A colour medium; for example: Watercolour, coloured pencils, pastels etc,
for applying colour to sketches if desired. (one medium is enough)
While colour can be applied onto cartridge paper with good results, watercolour, or pastel paper or board may be preferred by some participants.

NB – Reference material will be supplied on the day, but participants are advised to bring photographic reference of desired subjects, if the intention is to draw a particular species.

 

About the artist: 

Trevor is a wildlife artist whose inspiration comes from British wildlife; working from life wherever possible.
Sketching in pencil and watercolour, his sketchbooks provide a unique connection to a living subject that is of great value to him; they provide a record of his encounters with wildlife and, acting as aide memoirs, allow recall of past events with clarity.

The immediacy of watercolour makes it his chosen medium with which to achieve this.

Trevor is self employed and has spent much of his career working in wildlife conservation.
‘Britain’s wildlife and wild places are under threat as never before. As wildlife artists we are better placed than many to witness this decline, but can also be influential in highlighting the loss of biodiversity by helping to shape opinion to reverse that loss’.
Trevor has taught fellow artists and novices alike to sketch birds, for many years now, specialising in passing on his experience of sketching from life, in the field.

 

 

 

To secure your place on this course a £25 non-refundable deposit is required.

All courses are £59 per day for members, and £75 for non-members

Nov
20
Thu
Painting still life with Lucy Burton – CANCELLED
Nov 20 all-day

Painting still life with Lucy Burton

Book here

Course Suitability: Suitable for all

 

Maximum Participants: 12

 

Course Description:

In this workshop we are going to consider lots of compositional ideas and guidelines, arranging and lighting our fruit on a transparent plate with different coloured backgrounds.  We will be looking to create interesting and unusual compositions, shadow shapes and colour relationships.  We will then sketch out our composition on canvas, before applying the paint in a dynamic and interesting way: focusing on colour mixing, brushwork and how to paint shadows effectively.

 

 

What will be supplied:
A selection of fruits (or vegetables)
Coloured backgrounds
What to bring:
A canvas or board min A4, max A3, rectangular or square
A selection brushes eg. Rosemary Ivory Short Flats nos. 2,3,5, Ivory Filbert size 0
A selection of artist quality paints oils or acrylics eg. Daler Rowney starter set
A black sharpie and a ‘fine liner’ pen (or similar)
A spotlight or anglepoise desk lamp
Palette knife – eg. Winsor and Newton size 22
Paper Palette and a box to take your work home in
A phone or IPAD for taking photos
Oils only: A jar and some low odour thinners/ white spirit substitute for cleaning your brushes, some rags or plenty of tissues to wipe brushes clean.
Optional extra items 
‘Liquin’ painting medium if working in oils
A ‘Stay-wet’ palette if working in acrylics

 

About the artist: 

Lucy is an oil painter and teacher, living in Leamington Spa.
Whatever the subject matter, Lucy encourages students to apply the paint in a dynamic and interesting way: focusing on colour mixing, brushwork and composition.

She paints commissions, sells her work and exhibits locally with ‘Leamington Studio Artists’…and has also:

•    Worked as the ‘Artist in Residence’ at ‘The Artroom’ Gallery in Leamington,

•    Painted live at ‘Blenheim Palace Flower Show’

•    Been a wildcard artist on ‘Landscape Artist of the Year’

•    Exhibited with ‘Warwickshire Open Studios’

 

 

 

Places are on a first come first basis.

To secure your place on this course a £25 non-refundable deposit is required.

All courses are £59 per day for members, and £75 for non-members

Nov
22
Sat
Winter Landscapes with Liz Robertson – CANCELLED
Nov 22 – Nov 23 all-day

Book here – £118 / £150, £25 deposit required to book 

Course Suitability: Absolute beginners, Beginners, Improvers

Maximum Participants: 12

Course Description:

Everyone has their favourite season.  Winter is often overlooked because of the harshness of winter weather at times and shorter daylight hours.  However, Liz wants you to look at Winter through a different lens: softer colours and light; deeper, dramatic contrasts; extraordinary views ‘through’ a wooded landscape; the ‘other-worldly’ quality of snow and its effect on a landscape.

 

Liz always aims to provide a really accessible course for all levels of textile art experience. She will teach you several textile techniques which feature in her own textile artwork, including; fabric painting, wet felt making, needle felting, applique of considered materials, stitch and collagraph printing.  You will use a selection of these techniques (or all!) to create a Winter landscape of your choice.

Please bring along any photos, sketches, dried or fresh plants that you would like to use as inspiration. Additional materials will also be available.

 

Materials Required:

Please bring a variety of Winter landscape photos to inspire the artwork you’ll produce during the course.

You may wish to bring an apron and gloves as we will be using paint.

Liz will provide the required art materials for course participants. The cost per person will be £5.00      which will be paid to Liz by the participants.

 

About the artist: 

Liz is a textile artist and teacher. Her textile artwork is exhibited in galleries, community settings, including Gloucester Cathedral, and featured in a national publication. She has 40 years experience of teaching in all types of educational settings.  She delivers art workshops in her studio and further afield, including at national events.  Liz is delighted to have been Artist in Residence at Nature in Art, including in September this year.  She has also lead large textile art projects, for a regional arts festival, arranging and featuring in UK-wide exhibitions.  Liz’s passion for natural landscape is expressed in her colourful and textural textile artwork.

Nov
25
Tue
Fresh!
Nov 25 – Dec 21 all-day

This selling exhibition of contemporary crafts draws inspiration from the urgent themes of the UN’s International Year of Glaciers’ Preservation. The works celebrate the beauty of glaciers, polar regions, ice, snow, and water; life-giving and fragile. Exhibits range from ceramics, wood, glass, jewellery, enamels, prints and more.

Amongst the makers represented are Colin See-Paynton (wood engravings), Amanda Lawrence (glass left above), Carole Bury (mixed media), Robert Cox (wood),  Nigel Calvert (glass), Avril Farley (ceramics, right above), Grahame Tucker (wood), Siddy Langley (glass), Ben Venuto (printmaking), Linda Heaton-Harris (ceramic sculpture), Paul Hannaby (wood), Sarah Kinnersley (jewellery), and Grant Sonnex (Furniture and ceramics) .

As has been the case in past years, the majority of the exhibits in this exhibition will be for sale.

The Seasons in Landscape Painting
Nov 25 @ 7:00 pm – 9:15 pm

The Seasons in Landscape Painting
An illustrated talk by Martin Bowden

Following a thirty-five year career as Head of Economics and Art History at Dean Close School, Martin is now a talented painter whose work is inspired by the likes of
JMW Turner, Edward Seago, Aubrey Phillips and John Palmer. This talk will take us on a journey exploring a wide variety of artistic styles encompassing the work of, for
example, the Limbourg Brothers, Pieter Breughel, Jean Francois Millet among others. Often there is personification of the seasons so spring is a time of rebirth, summer
a time of heat and ripeness, autumn a time of harvest and winter a time for snow and the hearth. An inspiring talk for all.

Doors open 7pm to view galleries. Finger buffet at 7.30pm followed by talk.

Book here