Art Course
with Yvette Green 10am-5pm
Maximum Participants: 8
Garden mosaics are designed to interact with their environment, reflecting and refracting light so that they change throughout the day.
On this 1-day course you will produce a stained glass bird mosaic which can be used to brighten up your garden or pot plant in the winter months. You will be able to make a bird of your choice .
Skills covered on the course will include mapping out your initial design, basic glass
cutting, stained glass mosaic techniques and grouting techniques.
This course is ideal for all levels, although glass cutting skills are a bonus.
Course Cost
Members: £40
Non-members: £50
Course Suitability: Beginners – Advanced
ART COURSE BOOKING FORM
Materials List
Apron
Sealable jar or container to take home grout powder if needed.
All other materials will be provided by Yvette Green, at the cost of £6 per participant, payable directly to her on the day.
Artist’s Profile
Yvette Green is a stained glass mosaic artist working from a small house studio based in Cirencester, Gloucestershire.
Yvette trained in Botany and Education before working in mosaics for the last 8 years. She works primarily with stained glass and glass inclusions and produces mosaics for all areas of the home, specializing in garden mosaics.
Her work is inspired by the intense colours of nature. She has taught a number of courses in the Gloucestershire area.
www.baobabtreemosaics.co.uk
Artist in Residence
Clive Meredith is an entirely self-taught artist and has been working professionally since 1993 specialising in detailed portrayals of wildlife from both Britain and abroad.
Clive’s initial interest in wildlife and the countryside was fostered in his early years, brought up the son of a dairy farmer, and spending hours outside in the Shropshire countryside birdwatching and larking about on the river Severn and its streams in his hometown of Shrewsbury.
An illustrated talk by John Ward. This is a wonderful opportunity to hear the story behind some of the images which featured in the ‘Small but Perfectly Formed, 3D exhibition’ at Nature in Art in May/June. John is a pioneer in 3D and stereoscopic photography.
A fascinating and eye-opening evening for everyone.
Please book tickets in advance: £8
Art Course
with Mike Amphlett 10am-5pm
Maximum Participants: 12
If you still haven’t read the camera manual or, if you have, but cannot comprehend much of the ‘jargon’, then this 2-day course is for you!
On day 1 Mike will run through the menu systems and settings of your camera, particularly those that are of most concern to new users, but specifically focusing on those settings which are of most use to those working with natural subjects. He will also cover how to use different lenses/focal lengths to best effect. There will then be time during the afternoon to practice what you will have learnt about menus and settings, followed by a Q&A session.
On day 2 Mike will add some more ‘depth & breadth’ to what was covered on the previous day. Weather permitting, you will be able to start taking some images using the experience you will have gained from day one. After lunch, there will be the opportunity to have Mike review and critique what you will have done and, suggest ways in which you might improve your technical and creative abilities.
Course Cost
Members: £80
Non-members: £100
Course Suitability: Absolute Beginners – Improvers
Materials List
Notebook and pens
Your camera and accessories and, most
importantly, your camera user-manual
For both days, laptop PCs would be
extremely useful
Mike Amphlett will provide course handouts for you to keep.
Artist’s Profile
Mike has been photographing since 1978, beginning with insects for his work at Oxford University’s Zoology Department – he then ran the department’s photo-unit until 1991. In 1982, he was seconded by the RSPB as field-assistant on a film about Pink-footed geese in Iceland. In 2004, Mike moved to digital and, in 2005, acquired his first D-SLR. 20 years of tutoring photo-classes helped him understand the often simple things which prevented many camera users from progressing. He is a good listener and a patient instructor.
Artist in Residence
Jenny Reynish is a freelance illustrator who have produced illustrations for a number of both in the UK and abroad. She enjoys incorporating elements of ethnic and folk art, and details inspired by those in Persian carpets and woodcarvings, in addition to imagery from nature, cities and buildings.
Jenny uses a variety of media, including oils, watercolours and acrylics.
Wallsworth Art Group
Join the art group as they explore the Nature in Art garden to find inspiration to draw and/or paint. With an array of wildlife and flora within the garden, not to mention the variety of sculptures, there should be something to suit all.
You will need to bring your own supplies and materials for this evening.
Dare to Dabble
Choose from 2 sessions: 10.30am – 1.00pm or 2.00pm – 4.30pm
There is something very relaxing and peaceful about sitting quietly in the garden. It’s thought that gardens are where man and nature meet. During this workshop we will begin by creating a series of studies that help you to focus on the line and shape of nature and form. Then choose your favourite part of Nature in Art garden to create a more in-depth study using your choice of medium.
This workshop is a fabulous opportunity to try out a new medium or revisit one of your favourites.
Bookable after 4th May.
Book Now
Artist in Residence
Ann Swan works primarily in graphite and coloured pencil and is well known for her exquisitely fine detail, vibrant colours and strong contemporary style. She champions the underdog in the plant world, drawing our attention to Brussels sprouts or beetroots feeling they are just as beautiful as the iris or tulip. She is passionate about coloured pencils believing they are easy to master, forgiving and accessible so that even a complete beginner can quite quickly produce work of quality.
Exhibition:
This exhibition has been assembled in collaboration with the Charles Tunnicliffe Society. We record our thanks to them, particularly Ken Broughton and Stuart Pittman, and to the many private collectors and public collections who have loaned work. Tunnicliffe was one of the most important and influential nature inspired artists of the twentieth century. His impact is still felt today.
Charles Tunnicliffe (1901 – 1979) was the only son of a shoemaker turned farmer and grew up in Cheshire. All his later work as an artist shows him to be a man totally familiar with the animals and machinery of the farm, and the beauty, customs and modesty of the countryside. After art training in Macclesfield and Manchester, he won a scholarship to the Royal College of Art, London, where he won another scholarship for a further year to study etching.
Having worked for a while as a part-time teacher, Tunnicliffe left London in 1928 and returned to Cheshire as a commercial artist. In 1932 he produced the illustrations for Henry Williamson’s Tarka the Otter which was a great success and established the reputations of both artist and author.
From 1947 until his death Tunnicliffe lived on the Isle of Anglesey. He was hard work and versatility personified. Etchings, wood engravings, scraper-board illustrations, oil paintings, delicate pencil drawings, simple tiny composition sketches and large finished watercolours – all were part of his prolific output.
He was elected RA in 1954 and awarded the OBE in 1978. In 1974, he was honoured at the Royal Academy by an exhibition of his collection of measured drawings of birds. Several of these (and other RA pictures) are included in this show.
Having had work widely published in magazines and books, including some of his own, as well as the likes of Cussons Imperial Leather advertisements, Brook Bond tea cards, The Radio Times, Ladybird books and for 12 years the covers to RSPB’s magazine Bird Notes, he is an artist whose work has impacted on countless people’s lives, earning respect too, not just in the wildlife art world, but the wider art establishment.
Sir Peter Scott described him as simply ’the greatest wildlife artist of the twentieth century’.
Artist in Residence
Clare Robertson, artist blacksmith, works under the creative name of ‘MissFire’.
Inspiration for many of her pieces comes from the beauty of the natural world. Her ability to imagine, design and manufacture pieces that satisfy the specific requirements and personal tastes of her customers has resulted in a vibrant collection of exciting, and often functional, works of art.