(Rescheduled from 6th & 7th May)
Course Suitability: Absolute beginners – Advanced
Maximum Capacity: 12
Course Description:
Brusho’ is a powder which mixes with water to produce vibrant, jewel-like colours particularly suitable for flower/ plant subjects. The effects it produces are not achievable with standard watercolours. The tutor will show you how this type of painting can be achieved.
During this 2 day course, using various leaf shapes as inspiration and considering the rich and varied colours of Autumn, students will experiment with layering and sprinkling Brusho paints to produce attractive images which can be enhanced further with pen & ink drawing.
If time allows there will be the opportunity to use the techniques learnt to make a greetings card.
Materials List:
All Brusho paint will be provided by the tutor.
6 small screw-top jars ( individual jam/marmalade pots are ideal)
Box to put them in
Apron – Brusho stains!
Water pot
Scissors
Glue stick
Mixing palette
Masking tape
A3 watercolour paper 140lbs weight (several sheets).
Board to stick it on
Black or brown drawing pens ( thin/medium nib)
Selection of brushes (not too big)
Pictures of leaves, teasels, seed heads and any other autumn reference material. The tutor will have spares.
Artist’s Profile:
Since qualifying in Design at the University of bath Spa, Jean has taught people of all ages and abilities in schools, colleges and art holiday establishments. She has also worked for cruise lines teaching portrait drawing on board ships. She has been successfully running Brusho courses for several years in the South of England and she aims to create a relaxing atmosphere where people can enjoy experimenting with the medium.
Course Costs:
Members: £96
Non-members: £118
(cost does not include lunch (available to order and purchase on the day from the Coffee Shop))
Booking a place:
Places will be offered on a first come first basis.
To secure your place on this course a £20 non-refundable deposit is required. If you would like to book a place, please CLICK HERE
Here at Nature in Art we are extremely passionate about supporting local artists and craftspeople, helping to highlight the array of crafts available and the creativity of the people in the local area. Each month we host a two-day Mini Craft Market in the Education Centre, where five to ten crafters sell their unique handmade crafts.
Including but not limited to – nature crafts – paper crafts – woodwork – paintings-crochet/knitting – weaving – decoupage – cards – glass – silk painting – textile bags
- 10am – 4pm
- Education Centre
- Free to enter
This talk is a REPEAT of the talk on the 27th April. This date has been added due to demand.
7pm start followed by a look around the exhibition and a cup of tea/coffee. The talk will then be in the Education Centre. (Please note that there will be no food buffet)
Artist Elizabeth Gray, who had a long association with Nature in Art, and who also used the name Ben Venuto, died in 2022. We have been given access to her studio and will be assembling an exhibition highlighting the unique diversity of her output from April 18th – May 21st. Come and hear some extra insights into her work and inspirations that led to her enthusiasm for so many different styles and media, from painting, printmaking and decoupage to books, ceramics, drawings and more.
A really fascinating and uplifting evening.
FULLY BOOKED
If you would like to be put on a reserve list for this course then please email us. If we get enough interest we may put on another course later in the year.
Course Suitability: Absolute Beginners – Advanced
Maximum Capacity: 12
Course Description:
On this two day course learn all about working with graphite pencil from experienced artist Jamie Boots. Graphite pencil can be used to produce so much more than just a sketch. Jamie will show participants that whether or not you are using a pencil that is blunt or sharp, pressing lightly or hard, or using a variety of tones, that the effect of fur, the texture of skin and the glassy look of an eye can be achieved.
Materials List:
All materials will be supplied free of charge to use during the course by Jamie Boots.
Artist’s Profile:
Originally from New Zealand, Jamie is a self taught artist whose work is produced in graphite pencil. Jamie first exhibited his work in 2004 and has won a number of awards for his artwork. In a very short period of time a hobby became a profession and with a limited number of originals being available each year his drawings have become highly collectable.
www.jamieboots.com
Course Costs:
Members: £96
Non-members: £118
(cost does not include lunch (available to order and purchase on the day from the Coffee Shop))
FULLY BOOKED
Course Suitability: Beginners – Improvers
Maximum Capacity: 12
Course Description:
On this one-day course, you will make plant climbers, plant supports, trellises and decorative Garden Hurdles, all out of willow and hazel grown in Somerset and Gloucestershire.
Helen will guide you through each stage of the process, whilst introducing you to the different varieties of willow/hazel which you can use to make your creations unique.
By the end of the day you should have been able to make 3-4 items to take home to put in the garden.
Materials:
The tutor will provide the required materials for course participants. The cost per person will be £12, to be paid to the tutor on the day of the course. (Please try and bring the exact change)
Artist’s Profile:
Helen Lomberg has been making Baskets and using Willow and other Hedgerow materials for many years now. Twelve years ago she set up The Gloucestershire Arts and Crafts Centre in Westgate Street, Gloucester.
Course Costs:
Member: £48
Non-member: £59
(cost does not include lunch (available to order and purchase on the day from the Coffee Shop))
Five artists exploring themes from the natural world through drawing, painting, printmaking and poetry.
Murmur II (Conversations with Nature) brings together a new body of work, in a variety of styles and media by Andrew Morrison, Jo Biggadike, Shelley Winnett, Roy Hubbard and Julie Smith. At least one of them will be available each day to talk to visitors.
Humans speak the loudest, but beside our raucous demands are murmurings from wild things struggling to adapt to a changing world. ‘Conversations with Nature’ attempts to attend to nature’s quiet, often hidden voice; to listen and respond with paint and ink.
Free admission. Original artworks, prints and cards are available for sale with 10% of all sales supporting Nature in Art.
‘Meet the Artists’ evening – Friday 26th May, 6:30-8pm. Open to all.
The annual exhibition of The Wildlife Art Society International. A display consisting of over 300 works, both 2D and 3D. The society provides a focus for the interests of wildlife artists, painters, sculptors and photographers, whether they are professional, serious amateur or leisure artists. Most works are for sale. See members demonstrating every day.
The Wildlife Art Society International was founded in 1992 and has grown to be one of the leading Wildlife Art Societies in the UK and continues to grow in recognition internationally.
This event is organised by TWASI and will take place in a marquee on the front lawn of Nature in Art.
19:00 Doors
19:30 Finger Buffet
Talk starts around 20:10
This evening coincides with The Wildlife Art Society International’s (TWASI) exhibition. They have chosen Game Rangers International (GRI) as their charity this year. Sport Beattie is President and Founder of GRI who work in Zambia to empower rangers and local communities to conserve nature. Come and hear some inspiring real-life stories from the front-line of conservation. Part of proceeds in aid of GRI.
(Access to TWASI exhibition included).
£10 per person
To book a place on this talk, please CLICK HERE
NOW EXTENDED TO 23rd July (was 16th)
A unique selection of work by the popular UK cartoonist, Norman Thelwell.
This year marks the 100th anniversary of the birth of one of Britain’s most popular cartoonists to have worked in Britain since the Second World War, Norman Thelwell (1923 – 2004). Although best known for his images of girls and their fat ponies, his work is far more wide ranging than many realise. The countryside and environment were particular passions that informed his work. His cartoons were a powerful way for him to comment on issues of the day.
‘Wrestling with a Pencil’ was the title of Thelwell’s autobiography (1984), and in it he says ‘Although my object as a cartoonist was mainly to earn my living by amusing readers, it was also quite possible to express my own feelings on subjects, situations and events about which I felt strongly. Politics I have always found very boring and there was no way in which I could have become a political cartoonist. My interest lies in the minutiae of the human dilemma, the day to day problems of life and the way we are all swept along by events or developments which we feel helpless to influence. I seem to have touched at one time or another on almost every subject under the sun from combine harvesters to computers, rockets to ramblers, paraffin to pigs. But the predominant thread which has always run through my work is my love of and fascination with the countryside: the flesh and bones of these islands.’
This exhibition will include a broad selection from a remarkable body of work produced over a lifetime. The selection was made with the assistance of Thelwell’s artist son, David, who will be artist in residence at Nature in Art in June, and Thelwell’s daughter, Penny.
In 1952, Thelwell penned his first cartoon for the satirical British magazine Punch, renowned internationally for its wit, irreverence, and for publishing the world’s best comic writers and poets. This led to a relationship that lasted for 25 years and over 1,500 cartoons, including 60 front covers. Some original Punch cartoons will be included in this exhibition.
Thelwell published his first pony cartoon in 1953, and quite by accident, his name became synonymous with images of little girls and fat hairy ponies. The ‘Thelwell pony’ quickly became the most-often referenced source of horse humour the world over, and today, as we prepare to celebrate the centennial of the artist’s life, his caricatures remain as popular as ever. Thelwell’s 34 books have sold over 2 million copies in the United Kingdom alone, and his cartoons are found on a diverse array of merchandise. Interestingly, when we need it most, his book ‘The Effluent Society’, which commented on environmental issues, was republished this March. (This, and some other merchandise will be available in the shop.)
Lent by the family archive, this display, although including a few of his renowned horse and pony pictures, also embraces serious paintings completed purely for pleasure, and drawn and painted cartoons with relevance to nature, the countryside and environment, plus early works from his army days in India and before. Together they reveal not just Thelwell’s skill as an artist, but also his mastery of sharp social comment and his awareness of then current and future threats. He used satire to convey serious messages about the need to preserve the natural world; many of which still have poignancy today.
Many of his 34 books centre upon country life and country pursuits, and their light-hearted images are founded upon a thorough knowledge of their topics. (He was a keen angler, for example.) Although progress has been made in some areas of conservation and the tackling of environmental challenges, it is likely that Thelwell would be disappointed that many of his cajoling drawings are as relevant today as the day he put pencil to paper. Things have not changed as much as he would have liked.
For the last quarter of a century of his life Thelwell lived in the Test Valley at Timsbury, gradually restoring a farm house and landscaping the grounds which gave rise to his first factual book, ‘A Plank Bridge by a Pool’, which detailed the first two lakes he dug there. A third lake was later featured on the BBC TV. Written much earlier, but published three years later, ‘A Millstone Round My Neck’ described his experiences in re-building a Cornish water mill that was sold before the book was published. He always loved old buildings, and in his autobiography, ‘Wrestling with a Pencil’ he wrote about his joy of old cottages.















