Exhibition:
This is Nature in Art’s first ever exhibition of stereoscopic (3-D) images, first invented in 1832 and now enjoying a revival.
You will be able to borrow some of our 3D glasses and go on a journey through the micro world, seeing things, as for the first time, in their true three dimensional form.
Discover a whole new way to see and enjoy the beauty in nature.
Small but Perfectly Formed will be on show until June 12th.
Dare to Dabble
Choose from 2 sessions: 10.30am – 1pm or 2pm – 4.30pm
Explore the qualities of acrylic paint in the style of artist Monet. This workshop will introduce you to how you can get the most out of this great medium.
Bookable after 4th January.
Book NowThe Wildlife Art Society International annual selling exhibition of wildlife art comes to Nature in Art.
Around 300 paintings, drawings, original prints, photographs and sculpture by professional and part-time members of this active organisation will be on display, the majority for sale.
Members of the Society will also be demonstrating throughout the exhibition.
The exhibition is FREE to attend *normal admission charges apply to view the museum galleries* and is on show until June 5th.
Choose from 2 sessions: 10.30am – 1pm or 2pm – 4.30pm
Collage is a wonderful technique where artwork is made from an assemblage of different forms such as tissue papers, stamps, fabric, foils, photos etc – creating a new picture. The origins of collage can be traced back hundreds of years, but this technique made a dramatic reappearance in the early 20th century as an art form of novelty.
During this workshop, lots of interesting materials will be available for you to rummage through and use, but please do bring along other things that have caught your attention – perhaps a beautifully printed paper bag or old music papers.
Bookable after 4th January.
Book NowThis display is a celebration of the work by James TA Osborne RE (1907 – 1979) who regularly exhibited at the Royal Academy and the Society of Painter-Etchers and Engravers.
He was well know for his experimentation with print and paper and leaves behind a varied body of work, examples of which are held in public and private collections internationally.
Now extended to 24th July.
Dare to Dabble
Choose from 2 sessions: 10.30am – 1.00pm or 2.00pm – 4.30pm
There is something very relaxing and peaceful about sitting quietly in the garden. It’s thought that gardens are where man and nature meet. During this workshop we will begin by creating a series of studies that help you to focus on the line and shape of nature and form. Then choose your favourite part of Nature in Art garden to create a more in-depth study using your choice of medium.
This workshop is a fabulous opportunity to try out a new medium or revisit one of your favourites.
Bookable after 4th May.
Book Now
Exhibition:
This exhibition has been assembled in collaboration with the Charles Tunnicliffe Society. We record our thanks to them, particularly Ken Broughton and Stuart Pittman, and to the many private collectors and public collections who have loaned work. Tunnicliffe was one of the most important and influential nature inspired artists of the twentieth century. His impact is still felt today.
Charles Tunnicliffe (1901 – 1979) was the only son of a shoemaker turned farmer and grew up in Cheshire. All his later work as an artist shows him to be a man totally familiar with the animals and machinery of the farm, and the beauty, customs and modesty of the countryside. After art training in Macclesfield and Manchester, he won a scholarship to the Royal College of Art, London, where he won another scholarship for a further year to study etching.
Having worked for a while as a part-time teacher, Tunnicliffe left London in 1928 and returned to Cheshire as a commercial artist. In 1932 he produced the illustrations for Henry Williamson’s Tarka the Otter which was a great success and established the reputations of both artist and author.
From 1947 until his death Tunnicliffe lived on the Isle of Anglesey. He was hard work and versatility personified. Etchings, wood engravings, scraper-board illustrations, oil paintings, delicate pencil drawings, simple tiny composition sketches and large finished watercolours – all were part of his prolific output.
He was elected RA in 1954 and awarded the OBE in 1978. In 1974, he was honoured at the Royal Academy by an exhibition of his collection of measured drawings of birds. Several of these (and other RA pictures) are included in this show.
Having had work widely published in magazines and books, including some of his own, as well as the likes of Cussons Imperial Leather advertisements, Brook Bond tea cards, The Radio Times, Ladybird books and for 12 years the covers to RSPB’s magazine Bird Notes, he is an artist whose work has impacted on countless people’s lives, earning respect too, not just in the wildlife art world, but the wider art establishment.
Sir Peter Scott described him as simply ’the greatest wildlife artist of the twentieth century’.
Exhibition:
The Independence Trust strengthen people’s emotional and physical well-being to support them to fulfil their potential. This display features artwork by some of their clients who have found art a real help and inspiration in life.
JOIN US FOR A SPECIAL EVENT ON THURSDAY 25th AUGUST:
Elephant in the Room Cheese & Wine Evening Invite.
A chance to walk around the beautiful grounds of Nature in Art and sketch with tutor Stan Giles. Materials provided. Free of charge but donations to The Independence Trust welcome. Spaces are limited so please call 01452 713422 to book your place.





