This exhibition will now finish on May 12th (was 28th April)
Royal Copenhagen Porcelain was established in Copenhagen in 1775 by the Danish monarchy and is still in production today. The porcelain is known worldwide for its high standards of craftsmanship, immaculate design and being made and painted entirely by hand.
The company makes a wide variety of items such as tableware, figurines, animals, birds, fish, vases, dishes and plates. This exhibition will show a varied sample of animals and birds dating from 1890’s – 1990’s.
Royal Copenhagen’s first ever pattern in 1775 was the Blue Fluted Plain, a blue and white floral design. In the 19th century, Blue Fluted Plain was so highly coveted, the pattern could be found on everything from teapots to chamber pots.
Since 1775, every piece of porcelain that has left Royal Copenhagen carries its factory marks; the three waves, the royal crown and the painter’s mark. These are symbols of authenticity, the royal connection and the mark of hand-craftsmanship.
The figurines from Royal Copenhagen have long been out of production and the only ones still being produced are the annual figurine series. Nature in Art has three pieces of Royal Copenhagen porcelain in its permanent collection, all of which will be on display alongside key works from two local private collections.
The exhibition will celebrate the huge variety and detail of around 50 decorative items, ranging from an early and rare marmot created in the c.1890’s to a Lady Amherst pheasant, one of the most colourful figurines made by one of the few female modellers, Andrea Nielsen. The selection will include miniatures to compliment larger items, with some animals and birds being life size. This will be a rare and exciting opportunity to see so many Royal Copenhagen items together at once.
Entry into this exhibition is included in the admission price to the museum.
A fascinating series of relief editioned original prints, primarily created using wood, lino and stencils, by renowned print maker Julia Manning RE, SWLA. Bringing to life what she calls the ‘incredible – implausible sometimes! – life of Eels.’
Guided by international eel expert, Andy Don, and focusing on areas of Somerset, Manning has learnt about these fascinating creatures and the challenges that they face. Though the medium of print, she has visualised an incredible visual story of eel migration and metamorphis.
The European eel is classified as ‘Critically Endangered’ by the International Union for Conservation of Nature and appears on their ‘Red List’ of threatened species. Since 1970, the numbers of juvenile eels entering European rivers has declined by more than 95%. These Anguillid eels have been around for about 80 million years.
These eels stay in England’s fresh waters for many years, up to 25, before feeling the pull of the sea and heading out on their final migration. These upstream migrations are often less than straightforward because of man-made obstructions such as weirs that are used to regulate and control river flows. Special ‘eel passes’ have been designed and can be installed to overcome these obstacles. Other pressures have been man’s greed by illegal exploitation (smuggling millions of glass eels to Asia), climate change (the shifting of the currents on which the Leptocephali (eel larva) drift and rely) and invasive parasites introduced from abroad.
The story of the Somerset eels seems to resonate across all species. Our local wildlife is truly showing its connection to the global world.
See more on Julia’s website or Instagram Page.
Entry to this exhibition is included in the admission price to the museum. Julia will be giving a talk in conjunction with the exhibition on Tuesday 23rd April. Find out more here.
An inspiring display of sculpture by Anita Mandl and photography by Steve Russell, in collaboration with Gallery Pangolin, Stroud.
Where would we be in a world without animals and birds? Their beauty astounds, their diversity is myriad. Both Anita Mandl and Steve Russell celebrate these
in their very different ways. The animal world Mandl carves and casts is tightly hewn in form bringing to life the essential character of her avian and mammalian subjects.
Russell explores wildlife large and small with the knowledge of their place into an ecological jigsaw puzzle of immense complexity.
Anita Mandl is already represented in the Nature in Art Collection, with this exhibition being a perfect opportunity to see a larger collection of her work. Nature in Art acquired ‘Prostrate Buffalo’ in 2005, a cast resin marble sculpture of a buffalo lying down. (below). Steve Russell also had a solo exhibition here in 2013.
There will be a preview evening for this exhibition on Thursday 9th May. Please click here to find out more.
Anita Mandl:
Born in Prague, Mandl (1926-2022) trained as a zoologist and studied sculpture at the Birmingham College of Art. She was a Member of the Royal West of England Academy and a Fellow of the Royal Society of Sculptors. Her carvings, mostly in stone, are cast into editions in bronze and
silver. Her deep knowledge of animal anatomy and behaviour informed her sculptures which are skilfully pared down to convey the very nature of a species. Their economy of language, their smooth and lustrous surfaces, together express the essential characteristics of an animal.
Steve Russell:
Born in the UK, Russell (b. 1969) has shot photographs since he was a child, his passion for the camera eventually prompting his father into building him a darkroom. That proved an enlightened investment, ultimately helping Russell transform a schoolboy hobby into an award-winning career. Frequent journeys to East Africa over the last twelve years have provided Steve with huge inspiration and the opportunity to photograph an impressive variety of animals and bird species as well as staggering scenery, from the Rwenzori Mountains of Western Uganda to the Tanzanian coastline. https://www.steverussellstudios.com/
https://www.gallery-pangolin.com/
The annual selling exhibition of the Wildlife Art Society International (TWASI). Over 320 works both 2D and 3D. The society provides a focus for the interests of wildlife artists, painters, sculptors and photographers both professional and part time.
TWASI was founded in 1992 and has grown to be one of the leading Wildlife Art Societies in the UK and continues to grow in recognition internationally.
The basic aims of the Society are the promotion of the wildlife art genre in its own right, whilst providing a focus for the interests of all wildlife artists, painters, sculptors and photographers whether they are professional, serious amateur or leisure artists.
There will be demonstrations everyday.
The exhibition will be held in a marquee on the front lawn. Free Entry.
An exhibition of work by Gloucestershire Lettering Arts embracing diverse calligraphy and lettering on the wall, in books, on boxes, pots and textiles. A wide range of styles and techniques transforming words into beautiful works of art. Demonstrations every day.
The group began life as Glevum Scribes, founded in 1991 by professional scribes, sculptors, engravers and tutors, who wished to form a group for people to share their lettering-based interests and to learn from each other. It continues to flourish with a membership of over 60 people.
This exhibition will take place in the Atrium of the Education Centre. Free entry.
Richard Deacon CBE
This display features work by renowned artists and sculptors and comes from Explorers Against Extinction, a campaigning charity with whom Nature in Art has worked in the past.
Amongst the exhibitors are Richard Deacon CBE, Emily Young FRBS, Peter Randal-Page RA, Andy Goldsworthy OBE, Michael Pinsky, David Nash OBE RA, Eleanor Lakelin, Julian Stair OBE, Jon Foreman, Conrad Shawross, Sebastiao Salgado and Michael Kenna.
Extinction is a new initiative for 2024/25 that highlights the effects of climate change issues through art and will help highlight the work and campaigns of the charity.
Selected sculptors and artists were invited to create a special collection of artworks highlighting climate change, including artworks featuring fossils, artefacts, sediments and landscapes from Happisburgh on the east coast of England where Explorers Against Extinction is based. Some participants have produced video works and others have made sculpture using materials taken from Happisburgh itself. David Nash OBE RA, for example, has made a piece from 800,000 – 1 million year old wood preserved in the early sediments found on Happisburgh beach.
Happisburgh is the site of the earliest known human occupation in the UK, dating back 900,000 years. It will be one of the first UK communities lost to coastal erosion. As its sand cliffs are eroded, relics of extinct species and early humans who lived nearly one million years ago are exposed. Fossils from mammoths, elephants and rhinos are found on the beach, together with ancient flint tools and wood from drowned forests – all made extinct by historic climate change.
Extinction takes these relics and uses them to highlight the devastating consequences of climate change through time. Some works will highlight today’s endangered species, threatened by manmade climate change.
The Extinction exhibition is to be launched in April at the Palace of Westminster and then start its tour at Nature in Art. Later it will be visiting Edinburgh, London and Norwich before being shown elsewhere.
Last September saw the death of Nature in Art’s founder, David Trapnell, aged 95. His interest in art and nature was obvious as a boy and, even though he spent his working life as an eminent radiologist, it seemed inevitable that those early influences would emerge in a profound way at some point in his life. Being married to the artist Elizabeth Gray (also known as Ben Venuto), who died in 2022, was the inspiration he needed to embark on what he called ‘his second wind’ – an enthusiastic passion for discovery and learning in the arts that resulted in the establishment of Nature in Art.
David was always a collector. He said that his first collection as a boy was ‘stickers off bananas’(!), but in later life his collecting interests included fossils and stones (which he also polished) to buttons and bottles, clay pipes to bird skulls, postmarks (for which he was an acknowledged expert and published many books and papers) and eighteenth century newspapers to orchids. Even though, for a long time, he was not involved at the coal face at Nature in Art, he was a trustee until his death and was always cheering and encouraging from the sidelines and looking for new additions that might be considered for the collection.
Just a few months before he died, he saw an intriguing door finger plate (made by Spode) with a nature inspired decoration. He wondered whether there were any collections of these items anywhere and set about contacting national and local museums to find out. It seemed not. There also appeared to be no books on the subject either, so he began collecting as many nature inspired finger plates as he could, trawling the internet and finding people to drive him to antique fairs and the like. At the same time he began to undertake research for a paper or booklet on the subject. Sadly, he never got the chance to see that project to its conclusion, but the small selection of finger plates that he did acquire will soon be part of our collection. Some will be included in this display.
Most Friends of Nature in Art will know that the idea of Nature in Art was born in 1982 at a time when David had no money, no collection and no building – just what he hoped was an inspiring idea. He set up a charity to establish and then own and manage a museum. Soon he was winning over hearts and minds, and he did the difficult thing – he got the Nature in Art ball rolling from nothing, so effectively in fact, that within 6 years we had got to the point of opening our doors to the public, following the purchase of Wallsworth Hall in 1987. Then, in 1988, after a huge amount of work, HRH Princess Alexandra opened the museum, which was free of debt and had the beginnings of an unrivalled collection.
Many of the items had been generously donated by artists and private collectors, but David, a treasure hunter at heart, also spent a huge amount of time searching out items that might be added to the collection (and for which funding had to be found too).
That instinct to always be ‘on the hunt’ and looking in new places, stretching our outlook from, for example ‘wildlife’ to ‘nature’, and from just fine art to embrace decorative and applied art too, opened up huge possibilities. That broad view underpins our mission to this day.
So, this exhibition will highlight some of the items that David personally found for the Nature in Art collection, some of which we secured funding for from the likes of the Art Fund, V&A Purchase Grant Fund and others. Of course, there were other occasions when items were found and we could not secure funding or, if they were in an auction, exceeded our budget, but treasure hunting always involves disappointments too!
The stories behind some of the exhibits are recalled in David’s book, ‘Following the Dream’, published last year, priced £14.95.
In addition to some of the items he chose to include in his book, will be other items that have helped broaden the depth and diversity of our collection. As we hope is the case when any visitor comes to Nature in Art, we trust that you find amongst this selection work that you expect to see, but also others that may be unfamiliar, broadening your appreciation and passion for the arts.
An evening talk has been arranged to accompany this exhibition
© Ryan Stalker
The British Wildlife Photography Awards (BWPA) is a revered showcase of nature photography in Britain and a crucial reminder of what value our woodlands, wetlands and other ecosystems still hold.
The winners of the British Wildlife Photography Awards 2024 will be displayed at Nature in Art from 23rd July – 1st September. More than 14,000 images were submitted into this year’s competition, with amateur and professional photographers competing for the £5,000 grand prize. An image of a football covered in invasive goose barnacles, having travelled thousands of miles to reach the UK shores, has taken the top prize in this prestigious award.
Photographers competed in 10 different categories in the adult competition: Animal Behaviours, Animal Portraits, Botanical Britain, Black & White, British Seasons, Coast & Marine, Habitat, Hidden Britain, Urban Wildlife and Wild Woods. There were 3 age groups in the young competition: 11 and under, 12-14 years and 15-17 years.
Entry to this exhibition is included in the admission price to the museum.
© Max Wood
© Lucien Harris
As part of our programme of displays in the Atrium of the Wallsworth Centre, supporting and highlighting local creative endeavour, we are delighted to be welcoming The Fosseway Artists, a group of Cotswold based practitioners who were founded in 1965. The show features some of the latest work by their professional and semi-professional members. The exhibits explore the theme of nature in art. From bold collage using natural found elements to delicate watercolours and everything in between, there will be a range of styles and media on show. Some of the exhibits will be for sale.
The subjects of landscape, architecture and our industrial heritage have inspired Grahame Tucker’s work in printmaking, watercolours and more recently sculpture.
Grahame has supported our education programme and this exhibition of large prints reflects the exploration of a wide range of techniques over a period of twenty years. The use of line, cross hatching and tonal areas produced by aquatinting are extensively used to create a range of visual effects. This has given rise to him producing a series of prints reflecting his love of shape,form and texture which is equally inherent in his sculpture and paintings. This collection of etchings and aquatints shows the use of single and multiple plates to produce a range of original and individual monochrome and colour prints as limited editions. Meet Grahame when he is artist in residence, and see his sculpture, August 20th – 25th.